The adventures of a red ant: VIII. THE NIGHT MONSTERS – IN A TOOTHPICK

|

Sugar was not lacking on the commercial port, because I took care not to waste my time on the military port: the balls, the cannons and the rest will always be a pitiful treat for the ants! So here I … Read More

The adventures of a red ant: VI. Resort – The Treasury

|

If you asked me about my days, I would say that I let them pass in the middle of the most charming races in the woods, the moor and the surroundings. My slaves worked perfectly: our larvae were well cared, … Read More

The adventures of a red ant: V. DEATH OF MY BROTHER – I SAVE MYSELF

|

For a few days our slaves, digging deep in the cellars of our anthill to enlarge them, had encountered a pile of bizarre matters. It was like a mass of thick tissue; if it had been made of silk, wool … Read More

The adventures of a red ant: IV. The cows of mother Anille

|

So we like sugar, the confession is made! But our young students love him as much and more than us! It must be filled! In the absence of sugar, they need – this is more respectable – sweet and sweeten … Read More

The adventures of a red ant: Interior details

|

Alas! Alas! I realize that I drive from stranger to stranger and that, after explaining who we are, we, one of the great nations among the ants, I must now explain what is an expedition of cows. This explanation is … Read More

Heterotopia of the film Solaris directed by Andrei Tarkovski

|

Jonathon Rosenbaum notes that Tarkovsky’s Solaris, (Andrei Tarkovsky 1972) unlike Lem’s novel, (Lem 2012) is rather anti-science fiction than science fiction. (Rosenbaum 1990, 60) Rosenbaum suggests that while the film is denying our archetypal space travel, the main concern is … Read More

Psychology of the film Solaris directed by Andrei Tarkovsky

|

Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris station crew. Tarkovski wanted to address this way the deeply emotional and intellectual science-fantastic genre, considered by him to be superficial. The film … Read More

Sculpting in Time, with Andrei Tarkovsky

|

Tarkovsky opposed to the movie editing and considered that the basis of the art of cinematography (movie art) is the internal rhythm of images. He considers cinema as a representation of distinctive currents or time waves, transmitted in the film … Read More

Stanislaw Lem vs. Andrei Tarkovsky

|

Andrei Tarkovski (1932 – 1986) was born in Russia. Tarkovsky directed the first five of his seven films (Ivan’s Childhood (1962), Andrei Rublev (1966), Solaris (1972), Mirror (1975) and Stalker (1979)) in the Soviet Union; his latest films, Nostalghia (1983) … Read More

Art and attention to the sensitive

|

 (Paul Cézanne, The Card Players 1892-95) Art is not content to copy nature. However, he does not turn away from her, but goes back to the source. In Cézanne’s painting, Merleau-Ponty reminds us, it is never about color as a … Read More

Aesthetics and philosophy of art

|

The philosophy of art designates both the almost constant interest of philosophers for art since antiquity and a discipline more or less conceived as autonomous since the end of the eighteenth century. For the historian of philosophy Michel Blay, two … Read More

Performance art

|

(Bryan Zanisnik, performance of “When I Was a Child I Caught a Fleeting Glimpse”, 2009. ) An artistic performance is a behavioral artistic action undertaken by an artist(s), in front of an audience. The work can be presented in solo … Read More

1 2 3 4 5 6 7 35