Heterotopia of the film Solaris directed by Andrei Tarkovski
Heterotopia of the film Solaris directed by Andrei Tarkovski

In Solaris, within the limits of heterotopic experience, several theoretical and ontological questions are examined through approaches on each character. Berton declares one of the main philosophical themes of the movie when he tells Kelvin: “You want to destroy that … Read More

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The Adventures of Pinocchio - A story for adults
The Adventures of Pinocchio – A story for adults

One of the most widely read books in the world, considered a metaphor for the human condition, and suitable for a variety of interpretations, The Adventures of Pinocchio has had a major impact on world culture. The book responds to … Read More

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Psychology of the film Solaris directed by AndreiTarkovsky

Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris station crew. Tarkovski wanted to address this way the deeply emotional and intellectual science-fantastic genre, considered by him to be superficial. The film … Read More

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Philosophical Essays
Philosophical Essays

A collection of personal essays in philosophy of science (physics, especially gravity), philosophy of information and communication technology, current social issues (emotional intelligence, COVID-19 pandemic, eugenics, intelligence), philosophy of art, and logic and philosophy of language. CONTENTS: The distinction between … Read More

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Andrei Tarkovsky
Stanislaw Lem vs. Andrei Tarkovsky

Tarkovsky recognizes these differences, saying that there is a contradiction with Lem’s initial idea, because he was interested in the problems of inner life, spiritual problems, so to speak, and Lem was interested in the collision between man and Cosmos. … Read More

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Solaris, directed by Andrei Tarkovsky - Psychological and philosophical aspects
Solaris, directed by Andrei Tarkovsky – Psychological and philosophical aspects

About the main psychological and philosophical aspects detached from the film Solaris directed by Andrei Tarkovski, as well as the cinema techniques used by the director to convey his messages to the spectator. In the “Introduction” I briefly present the … Read More

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